Elsewhere brings together two distinct approaches to abstraction that meet somewhere between the remembered and the imagined.

One body of work moves through atmosphere. Forms are barely held together, emerging from washes of color, light, texture, and space. Landscapes appear without becoming landscapes. Memories surface without becoming narratives. The paintings suggest places that are felt more than they are seen.

The other moves in the opposite direction. Dense forms gather, intertwine, and multiply. Flowers, leaves, organic shapes, and fragments of imagined flora build intricate environments that feel almost otherworldly. Where one artist allows the image to dissolve, the other allows it to accumulate.

Together, the works create a conversation between absence and abundance, stillness and play, dissolution and emergence.

Both, however, are concerned with the same impulse: the desire to find somewhere beyond the immediate world.

Elsewhere considers the interior spaces we create through memory, imagination, sensation, and longing. These are not literal places, but landscapes of the mind. They can be quiet or overwhelming, familiar or strange, fleeting or endlessly unfolding.

The exhibition asks what happens when two artists approach this invisible terrain from different directions. One looks inward through atmosphere and traces. The other looks outward through color, form, and imagined growth.

Between them exists a third space.

A place that neither artist fully owns, but that emerges through the encounter of their works.

Elsewhere.